Nerva Ceramica · Lucca · since 2009

Twelve pieces, thrown in Lucca

A short range of stoneware for the table. Nothing is cast, nothing is bought in, and nothing is listed here until it has come out of the kiln and been weighed.

Twelve pieces open for order · carriage free over €180 · returns to the 30th day

Serra bowl in chalk glaze, cream and unmarked, standing alone on a white surface
No. 14Serra bowl — chalk€68
  • Thrown on the wheel
  • Fired to 1280 °C
  • Lead-free glaze
  • Dishwasher safe
  • Packed in straw
  • Sent within 3 days
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Where most people begin

Three to start a table

Buy one of these and you will know within a week whether the weight suits your hands. Most of our customers come back for the other two.

Rame dinner plate, pale grey with an iron-brown rim, in stock
03

Rame dinner plate

27 cm across, iron rim, ash glaze

€42Nine fired
Sasso mug in chalk glaze, a pair standing on a pale table, in stock
08

Sasso mug

280 ml, pulled handle, chalk glaze

€29Twenty fired
Monte vases, three pale unglazed forms grouped on a plinth, two remaining
12

Monte vases

Set of three, 14—22 cm, bare clay

€135Two in this clay
Alzaia jug in bone glaze, an off-white pitcher photographed against a plain white ground
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Alzaia jug · No. 10

Weight you notice when you lift it

A litre jug comes off the wheel at 740 grams. Thinner than that and it chips at the lip; heavier and nobody reaches for it twice. We settled on the number in 2014 and have not moved it.

Capacity
1.0 litre to the shoulder
Weight, empty
740 g ± 25 g
Glaze
Bone, matt inside and out
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Pietra platter · No. 05

A glaze that keeps the throwing lines

Salt glaze pools where the wall thickens, so the spiral left by the fingers stays legible after firing. It is the reason two platters out of the same batch never match, and the reason we photograph each one before it is packed.

Every platter is weighed, measured and photographed on the bench it was trimmed on. The picture you see on the entry is the platter that will arrive.

Pietra platter in salt glaze, a wide pale dish resting against a second plate on a grey ground
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Four passes, eleven weeks

Wheel, dry, bisque, glaze

A bowl is touched on four separate days, with the kiln between the last two. Nothing about that can be hurried, which is why the shelf is short.

A potter pulling the wall of a jug upward on a spinning wheeli

Thrown, one day

Eight kilos of Tuscan stoneware body is wedged by hand and thrown in a single morning. A good morning yields fourteen bowls; a bad one, four.

Shelves of unfired greenware pots drying in a workshopii

Dried, ten days

Pieces stand on open shelves until the clay lightens from slate to bone. Rush it and the foot cracks on the way into the kiln.

Hands covered in wet clay shaping the rim of a potiii

Fired twice, eleven weeks apart

A bisque at 980 °C, then the glaze firing at 1280 °C. The kiln is filled eleven times a year and opened only once it is cool enough to touch.

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Sent back to us, unprompted

What they say after a year

Serra bowl in chalk glaze, cream and unmarked, standing alone on a white surface
I bought two bowls to see whether they would survive a household with teenagers. They are in the dishwasher four times a week and the glaze has not dulled once.

Giulia T.Serra bowl, chalk · bought 2024

Alzaia jug in bone glaze, an off-white pitcher photographed against a plain white ground
The jug arrived heavier than I expected and that turned out to be the point. It pours without dribbling, which no jug I have owned has managed.

Marco R.Alzaia jug, bone · bought 2025

Pietra platter in salt glaze, a wide pale dish resting against a second plate on a grey ground
I ordered a platter that was listed as sold out and was told plainly it would be eleven weeks. It was eleven weeks. I have no complaints about anything that honest.

Hanne S.Pietra platter, salt · bought 2025

Carriage free over €180

Start with one piece

The shelf is short on purpose. If what you want has gone, leave your address on the entry and we will write to you the day it comes out of the kiln — no list, no newsletter, one message.

Corso storage jars, three textured stoneware vessels standing together on a pale plinth